Are rock'n'roll, blues, jazz etc. really black music?

White people are responsible for the creation of many of the most popular forms of music. White people created the blues, jazz, rock and roll and rap music.

White liberals and blacks often falsely credit blacks with the accomplishments of white people. For example, they claim blacks invented the traffic light, the blood bank and air conditioning when these things were invented by whites. They do the same thing with music. They claim blacks created the blues, jazz, rock and roll and rap and that white people "stole" this music from blacks. If there was any stealing done it was done by blacks from whites.

The blues came from the British Isles. An early blues song is Greensleeves. Greensleeves is a song about a man who was taken advantage of by a woman and then rejected. It dates from the late 1500s.

The first recorded jazz song was Livery Stable Blues by the Dixieland Jass Band, recorded in 1917. Band member Nick Larocca claimed to have invented jazz and his music is the first known examples of it.

Rock and roll is often claimed to be speeded up blues. This claim ignores the influence of white country music in rock and roll. Either way rock and roll developed from white music. The first known recorded example of a rock and roll song is Move It On Over, recorded by Hank Williams in 1947. It was the template for songs such as Rock Around the Clock and Roll Over Beethoven.

Oh, and the term "rock and roll" was used by whites in the 1800s. For example, it was mentioned in one of the Little House On the Prairie books, set around 1880. It probably refers to the motion of trains. Black supremacists try to credit blacks with inventing the term, using a preposterous explanation.

Rap was being done by whites in the 1920s. The first recorded rap song was recorded in 1927 by Swedish artist Evert Taube. It was called Kinesiska Muren.

Don't believe what I say? Listen to the songs yourself. Are you going to believe black supremacist, anti-white propagandists or your own ears?

Departure from BitChute

Indeed BitChute has become what YouTube used to be back in 2011: a free speech zone without the goddamn SJW's. But it also became another thing: addictive. I was so addicted to it that I was forced to start a longer break. So you will not hear anything from me for a while. Sorry.

Richard Wagner and Jesus

"One might say that where religion becomes artificial, it is reserved for art to save the spirit of religion by recognizing the figurative value of the mythical symbol, which religion would have us believe in a literal sense, and revealing its deep and hidden truths through an ideal presentation. * * * Whilst the priest stakes everything on religious allegories being accepted as matters of fact, the artist has no concern at all with such a think since he freely and openly gives out his work as his own invention. But religion has sunk into an artificial life when she finds herself compelled to keep on adding to the edifice of her dogmatic symbols, and thus conceals the one divinely true in her, beneath an ever-growing heap of incredibilities recommended to belief. Feeling this, she has always sought the aid of art, who on her side has remained incapable of a higher evolution so long as she must present that alleged reality to the worshiper, in the form of fetishes and idols, whereas she could only fulfill her true vocation when, by an ideal presentment of the allegorical figure, she let to an apprehension of its inner kernel-the truth ineffably divine."

It is often believed that Wagner was an Atheist. That is not true at all. Wagner admired Jesus and saw him as a role model. However, he also was far from being an orthodox Christians. He saw the contradictions in "God's word" and rejected the Old Testament, as he saw that it contradicted with the love and mercy of Christian teachings. He saw it as especially great for the poor people (Matthew 5:3) and as a form of comfort. He condemned pictures of the final judgement and saw the teachings of hell as a tactic by the organized church to control. He however nevertheless saw Christian influences through his music. His focus was the hope of Christ. He also saw the contradictions between the God of the Old Testament (Yahweh/Jehovah) and Jesus Christ of Nazareth, of whom he realized that he was of Greek heritage, not Hebrew one.
It may have been a strange try of Wagner to mix Christian teachings with Schopenhauer's philosophy. Many fundamentalists definitely have critisized him for his views on sexuality and his attempts to mix their belief system with Buddhism and Paganism. I believe we have to Wagner saw his music as the greatest gift of God (which I will definitely agree with!) and that it was a way better way of healing than what we are provided in religious and non-religious circles. Wagner knew that God is real, but that not everything in the Bible is inspired by Him.

Nature of the Threat to Whites: Rap "music" (Kyle Hunt)

Now whilst I have decided to archive his article here, keep in mind that I am not really a supporter of Kyle. Another nationalist I do not wish to mention has mad the claim of Kyle having a Jewish wife. I would say this argument lacks of proof, but nevertheless I am cautious about him. On the other hand, he could have made them on Hitler too, so I'm not buying it either. And I need a break from Bitchute. This site has became much like a God to me. No videos for a while.

Christian humanism is a toxic philosophy among white Anglo-Saxon Protestants (WASPs). It’s not quite the same as the insufferable cultural Marxist-based social justice warriors (SJW) in that it’s based more upon religion. Rather, the view effectively gives great “tolerance” and “understanding” to groups and races who have been oppressed or can take a victimhood stance.

In place of a political theology capable of distinguishing between friend and enemy, Christian humanism advocates unilateral moral disarmament. The position of The New Nationalist (TNN) is different in that it holds that political and social action demands prudent distinctions between the interests of our community and their community. This also extends to the white community’s friends and allies versus its enemies.

The ideal of prudent distinction should insist that the white community be humanist enough to walk in the black community’s shoes and at least try to be empathetic and to consider their points of view. It must also hold out an olive branch of redemption to all peoples. However, the line is crossed and the gloves come off when the other communities engage in strategy and tactics that harm the white community.

The black community — and, in particular, its youth — largely convey their worldview through hip-hop and rap music. Given that this is their chosen method to communicate, it behooves the white community to examine it. R&B and hip hop make up about 14 percent of record sales in the U.S. However, its reach is even greater given that it is frequently illegally downloaded.

The move to (((corporate recording studios))) encouraged rappers “to collapse their recording selves and their actual selves.” The “art form” is to imbue performances with authenticity. Performers boast about “keeping it real.” They rap about gangstas and hustlers, pimps and hoes, guns and violence, they say, only because crime, violence and prison loom so large in the life of disadvantaged black youth.

As such, the white community must carefully examine the spirit and mentality with which rappers convey this lifestyle. If the music was sad, sorrowful and introspective, then empathy is highly appropriate. But it’s not really even “woe is me.” In fact, unfortunately, upon closer examination, much of the gangsta hip-hop/rap music genre actually seems to rejoice and relish in a sick, twisted, sadomasochistic self-destructive world of violence, degeneracy and evil.

To be fair, there is some hip hop or rap that is lite or neutral. There is even some — dance tropical, for example — that I personally like, or at least tolerate. Whites don’t need to be purists and hard asses about such music. There is plenty of excellent “world genre” music out there to enjoy. But there is also a lot that is openly hostile toward whites, especially in this weaponized, gangsta hip-hop and rap genre.

Nature of the Threat

Unless blacks themselves are prepared to strongly disavow and censure this music within their own communities, then the white community has no choice but to consider those (including useful-idiot whites) listening to it and supporting it as being heavily propagandized and influenced into being a hostile element to the life and security of white people. It leaves whites no other choice but to circle their wagons.

There are some blacks who see the downside and negativity going on in their own communities. But instead of owning up, they, too, blame the music on “whitey.”

My impressions:

And here too I totally agree with Kyle! A lot of people attack him for such views and think he was narrow minded, but even here he said not all rap must be avoided and that we don't have to be purists. NS rap is actually good (especially German artists like Chris Ares) and some others are neutral too. But still, all the anti-white attacks cannot be ignored any longer. But most of the sheeple probably will.

Our primary mission is to wake up whites (and blacks) who are complacent normies. I am a big believer in the low hanging fruit concept.

If you make this about so called black beats, rythmns and drums, you will turn normie off. In fact you will turn me off, because frankly I like repetitive drums. It is just too engrained and insurmountable in the culture. We need to look for wins not distractions .Therefore the focus should be totally oriented towards the nasty anti-white hostility in the lyrics. Anything else should be left as fodder for preaching to the choir in forums like this, because it is counterproductive out there in the world.

Not all popular music has been black tho. Remember people or groups like Gary Puckett, Hank Snow, Jay and the Americans, Bread, Don McClean, Todd Rundgren, James Taylor, Sheena Easton, The Eagles, Bob Seger, Mr. Mister, The Pretenders, The Little River Band, Ace, Depeche Mode and even WHAM, among many others? None of these artists would crack the TOP 100 today because their sounds is distinctly White, and I’d venture to say 99.999% of all blacks don’t have any of these artists in their CD collection…and that’s why. The sound doesn’t speak to them because it’s not derivative of their culture and yet, it’s still pop/rock music.

I’d say that the good rock n’ roll artists (Pink Floyd, Led Zeppelin, etc.) took the “negro mud hut element” of the blues genre and made skyscrapers from that, yet sadly it didn’t last long.

Finally, music isn’t just a spectator sport. It’s mean to fill us up and inspire us to our own creative work, whether that be in more music, movement or writing. It is the nature of music to inspire; what matters is the direction in which it takes us.

Marine-Burger (Kochrezept von 3thedward) (GERMAN)

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Hope Springs Eternal: Degenerate Music Sales Plunge (Kyle Hunt from Renegade Tribunes - I do hope this is not seen as stealing, since my mission is to spread this message further)

The sales of recent U.S. music releases have been fading for some time now. Catalog albums (defined as albums eighteen months old and older) began outselling new releases, doing so for the first time on record in 2015.  Data for 2016 shows older catalog albums gaining even more, outselling new releases by a wide 60-40 ratio in 2016.

A closer look suggests that the real problem may simply be that the music industry is not offering customers music that they want.  Existing research demonstrates that only 5% of the American population over the age of 18 considers the last two decades (from 2000 to current) as having the best music.

Blow back and Ignoring Large Markets?

Even though the music and entertainment industry has been dominated by pervert justice warriors (PJW) and their tastes for quite sometime, it arguably wasn’t used to openly promote insane weirdness and degeneracy to the degree it is now [see “Fuller House”]. In the last fifteen years the Luciferian transhumanist element has kicked into overdrive. I submit that more and more people may be turning away or recoiling from the constant torrent of soulless and satanic garbage that the record labels are promoting.

Although the young, white, heterosexual male has been thoroughly demoralized, demonized and impacted by pop culture in recent years, that doesn’t mean he totally supports with his pocketbook this filth as a product. Nor has he gone the way of the dodo bird just yet. The rabble that produces contemporary music might want to re-fact check its market demographics. There are still 105 million white straight males under the age of 40 in the United States.

The rock genre of the 1990s and earlier was geared more toward a white male market. It’s largely diminished. Plus, many of the musicians before the turn of the century were promoted because they actually had some talent. They also showed male bravado.

The acts featured now seem to be these weird creations designed to push bizarre culture-destroying agendas. Top it off with the constant stream of mentally challenged aka retarded gangsta black rappers like Kanye West, 50 Cent, Lil Wayne and it is obvious to see why the music industry is in decline.

This is not just immoral, it is a bad business model. It is heartening to see it beginning to fail. A boycott would be just the ticket to put the dagger into this vampire’s heart.

Lil Wayne: try and listen to the lyrics (can follow here), absurd.

Linus' additional words: as usually, Kyle nailed it! As for the Watch Mojo video, Robert Johnson, Chuck Berry and Jimi Hendrix aren't people I would put into there tho.

My first post in German

Servus!

Ja, zum ersten Mal in acht Jahren poste ich hier in meiner Muttersprache.

Ich bringe gerne kontroverse Inhalte, die für die heutige Welt eher unbequem sind. Allerdings werde ich zukünftig nicht nur Inhalte auf Deutsch posten, sondern auch etwas "normalere" Themen wie Kochrezepte, denn essen muss jeder.

Also,
bis dann,
euer Linus